I'm a fan of Slate V's Open Book: Writer's on Writing—a collaboration between Slate and the NYU Creative Writing Program. Check out their most recent video interview of Jorie Graham in “Balancing Parenthood and Poetry.” I love the image of Graham rubbing her pregnant belly on Emily Dickinson's grave!
Showing posts with label Nellie. Show all posts
Showing posts with label Nellie. Show all posts
Wednesday, June 10, 2009
Tuesday, April 7, 2009
The Birds & The Bees: Green Porno
Famed Blue Velvet actress, Isabella Rossellini stars, directs, and produces the online short film series, Green Porno—a show devoted the sex lives of insects and marine life. How did I miss this?!? Apparently, Rossellini always wanted to direct films but could only think up short stories that weren't long enough for the big screen. Her chance came when The Sundance Channel wanted to produce a series for the 3rd screen (i.e. ipod, internet). Rossellini's childhood dream was to write about animals, and The Sundance Channel said sound good, but make it flashy! And what better to catch people's attention than sex? Thus, Green Porno was born. Not only is the show hilarious and scientifically accurate, but it's incredibly artistic—almost all of the costumes are made out of paper and manipulated manually. Go to the website and watch them all! Here's her piece on the mating habits of bees. Enjoy!
Labels:
art,
enviro,
environment,
film,
Green Porn,
Isabella Rossellini,
Nellie,
pornography
Thursday, March 26, 2009
Wild Things
The film remake of the beloved children's book Where The Wild Things Are by Maurice Sendak, released a trailer last week. It's directed by Spike Jonze and includes an outstanding indie cast: Catherine Keener, Max Records, Mark Ruffalo, Lauren Ambrose, James Gandolfini. The movie looks awesome, and the costumes true to the original book's illustrations. I'm so happy that the "monsters" are not digitally created—their costume-like quality mimics the book's fierce drawings and our own tangibly-raw imaginations. I can't wait!
Labels:
Maurice Sendak,
movies,
Nellie,
Spike Jonze,
Young Adult Lit
Wednesday, March 25, 2009
Hump Day
Need some inspiration to get through your Wednesday? I thought so. Now get back to work!

PS: Want more? Click on image for full view.

PS: Want more? Click on image for full view.
Labels:
Cubicle Life,
motivation,
Nellie,
procrastination,
yes we can
Wednesday, March 18, 2009
REJECTED!
What to do with all those rejection slips? I know—bathroom wallpaper, bird nest offering, papier-mâché craftastic something-or-other, ugh. Or, you could send ANY 10 of those hoarded rejections (I know you're saving them for some sadistic reason because I am too) to Marginalia with $1 and receive an (almost free!) issue of Marginalia Magazine for your perusal. It's like positive publishing karma. Thanks to Brevity for the tip.For your Sad Bastard discount send (10) rejections and $1 to:
Sad Bastard
Marginalia
P.O. Box 258
Pitkin, CO 81241
Labels:
journals,
Nellie,
Opportunities,
publishing,
rejected,
writers,
writing
Monday, March 16, 2009
Happy Birthday Barbie!
It's never too late for birthday wishes, and 50's a milestone year. In case you missed Kristen Wiig's Barbie impersonation on SNL this past Saturday:
Labels:
barbie,
Kristen Wiig,
Nellie,
SNL
Sunday, March 15, 2009
Midnight Bus Poetry
Over at Slog they're keeping the spirit of poetry alive by publishing bus-related poems written by their faithful readers in a new column called, Midnight Bus Poetry. Check out posts by Paul Constant for poems—which may not be highbrow but certainly are highly amusing!—about the bus riding experience. And if you're inspired, why not submit your own? Poems need to be 50 words or less and should be emailed to poetryonbuses@thestranger.com. Winners appear here and on the Slog Blog. Enjoy!
Sunday, May 18, 2008
An Astonishing Poet You Should Know
I’d like to introduce you all to an amazing and little known poet, Talvikki Ansel. And yes, I did just interview her for my thesis, so perhaps I’m biased. Nevertheless, she is a poet whose work is worth knowing. Her first book, My Shining Archipelago, was published as winner of the Yale Series of Younger Poets in 1996. And her second book, Jetty, came out in 2003. Jetty is out of print but can—and should be—found used.
Almost all of Talvikki Ansel’s poems are in some way connected to the natural world—she has spent a significant amount of time working in gardens and cataloging birds for conservation efforts. This influence comes across in her work, which is laced with botanical terms and filled with experiences from the field.
Although her poetry stands strongly on it’s own, Ansel has often been compared to Elizabeth Bishop. They inhabit similar natural landscapes; have an affinity for odd and quirky images, and employ precision description. In one of Ansel’s more recent poems, “Valentine’s,” published in Poetry Magazine 2003, she writes, “I identified that weird / seed pod”… “Magenta capsule and four orange seeds”… “ ‘heart’s a-bustin’ with love’ it’s called” (12-13, 15, 16). This image seems an apt introduction to an astonishing poet.
Please follow these links to read further about Ansel and her work:
Review of Jetty in Blackbird.
Where Poetry Outgrows Hobby Status Artcle in the New York Times, written after Ansel won the Yale Series of Younger Poets.
First Sunday on Poetry A close look at one of Ansel’s poems from Jetty.
Orion Magazine, Poem: “Seed Savers”
Three Of Ansel’s Poems: “Tree List,” “Or Stay Again,” “Blue Collection”
Almost all of Talvikki Ansel’s poems are in some way connected to the natural world—she has spent a significant amount of time working in gardens and cataloging birds for conservation efforts. This influence comes across in her work, which is laced with botanical terms and filled with experiences from the field.
Although her poetry stands strongly on it’s own, Ansel has often been compared to Elizabeth Bishop. They inhabit similar natural landscapes; have an affinity for odd and quirky images, and employ precision description. In one of Ansel’s more recent poems, “Valentine’s,” published in Poetry Magazine 2003, she writes, “I identified that weird / seed pod”… “Magenta capsule and four orange seeds”… “ ‘heart’s a-bustin’ with love’ it’s called” (12-13, 15, 16). This image seems an apt introduction to an astonishing poet.
Please follow these links to read further about Ansel and her work:
Review of Jetty in Blackbird.
Where Poetry Outgrows Hobby Status Artcle in the New York Times, written after Ansel won the Yale Series of Younger Poets.
First Sunday on Poetry A close look at one of Ansel’s poems from Jetty.
Orion Magazine, Poem: “Seed Savers”
Three Of Ansel’s Poems: “Tree List,” “Or Stay Again,” “Blue Collection”
Labels:
alternative book list,
books,
Nellie,
poetry,
Reading
Sunday, March 16, 2008
Actions Speak Louder...
This week we’ve been saved from the droning primary campaign by the Governor Spitzer scandal. Yes, we’ve lapped up the unfolding smutty details like a bunch of hungry, um, wolves. From water cooler chitchats to interviews on NPR, Americans love it when celebrity falls from grace, especially when it involves adultery.
However, while the scandal may revolve around Elliot Spitzer, it seems that we can’t help but turn our morbid curiosity towards his wife, Silda Spitzer. She’s already run the gamut of public scrutiny, receiving our pity—not another politician’s wife!—our unsolicited advice—She should really get herself tested for STDs—and worst of all, our sexual criticism—What wasn’t she providing in the bedroom? I hear they’re sleeping in separate rooms.
Silda Spitzer stands like a ghostly shadow behind her husband during his press appearances. Some say her silent presence is a way to deflect future scrutiny by getting the worst gossipy nags out of the way early. I’m not sure how effective this technique is. It seems like just about the worst thing to be required to do. But I do hope, for the sake of Mrs. Spitzer's privacy, her silence works.
Or do I? Should she be stepping up and speaking out against her husband? What do you all think?
However, while the scandal may revolve around Elliot Spitzer, it seems that we can’t help but turn our morbid curiosity towards his wife, Silda Spitzer. She’s already run the gamut of public scrutiny, receiving our pity—not another politician’s wife!—our unsolicited advice—She should really get herself tested for STDs—and worst of all, our sexual criticism—What wasn’t she providing in the bedroom? I hear they’re sleeping in separate rooms.
Silda Spitzer stands like a ghostly shadow behind her husband during his press appearances. Some say her silent presence is a way to deflect future scrutiny by getting the worst gossipy nags out of the way early. I’m not sure how effective this technique is. It seems like just about the worst thing to be required to do. But I do hope, for the sake of Mrs. Spitzer's privacy, her silence works.
Or do I? Should she be stepping up and speaking out against her husband? What do you all think?
Wednesday, February 13, 2008
Make Me A Match
Everything is Jane Austen these days. Or that’s what the BBC would like us to believe. Yes, I have been eagerly sucked into this romantic pleasure, turning on my TV every Sunday to watch Masterpiece Theater televise Austen’s novels. I am swept away by costumes, love triangles, and the saga of 19th century female survival. I can’t help it. I love this stuff regardless of my feminist sensibilities. The prospect of historical romance is alluring, and Austen’s a master at presenting a formula for True Love.
Some say, little has changed since Jane Austen’s day. In a behind the scenes interview, Masterpiece Theater compared Austen’s novels to Sex in the City. At first I was offended by the connection. I saw it as a degradation of Austen’s intelligence. But now, I can’t stop thinking of the Bravo reality show, Millionaire Matchmaker, where Patti Stanger, founder of the Millionaire's Club, matches wealthy men with their dream girls.
The sentiments expressed on Millionaire Matchmaker resonate freakishly with the courtship scene in Edwardian England. I urge you to go to the Bravo TV website and check out Patty’s commandments for dating. In them, women are told that on a first date they should be engaging, act like a lady, let the man lead conversation, and not get intimate. Have we progressed since Austen’s time?
We all know that in 19th century England, women’s hopes for marriage revolved around financial security. Love was often left to the lower classes—people who had little money to lose—or was an added bonus to an advantageous marriage. Luckily, many things have changed for women since Austen’s time, but clearly others have not, including a sentiment that wealth and marriage are keys to happiness.
Last week as I watched Pride and Prejudice, I moaned to my boyfriend, I want to be Elizabeth Bennet! He looked at me askance and said, really? Her life is so boring. And it’s true. The appeal, and danger, of Austen’s novels is that they paint a world where a woman’s goals are to end up happily secure in love and finances. And this formula is compelling, and should be looked at critically.
I certainly don’t want to be shut up in the house waiting for the next ball, or stuck submitting my profile to the likes of Patty Stanger. But I do want happiness. A balance must be achieved. I’m not quite willing to give up Jane Austen, but I do want to point out our continued social pressure (going strong over 200 years after Austen’s death) to “marry well.”
So here’s to Valentines Day, romance novels, and genuine relationships. We don’t need a millionaire matchmaker, or wealthy uncle to introduce us to Mr. or Ms. right. Let's be our intelligent selves. I think Austen would approve.
Some say, little has changed since Jane Austen’s day. In a behind the scenes interview, Masterpiece Theater compared Austen’s novels to Sex in the City. At first I was offended by the connection. I saw it as a degradation of Austen’s intelligence. But now, I can’t stop thinking of the Bravo reality show, Millionaire Matchmaker, where Patti Stanger, founder of the Millionaire's Club, matches wealthy men with their dream girls.
The sentiments expressed on Millionaire Matchmaker resonate freakishly with the courtship scene in Edwardian England. I urge you to go to the Bravo TV website and check out Patty’s commandments for dating. In them, women are told that on a first date they should be engaging, act like a lady, let the man lead conversation, and not get intimate. Have we progressed since Austen’s time?
We all know that in 19th century England, women’s hopes for marriage revolved around financial security. Love was often left to the lower classes—people who had little money to lose—or was an added bonus to an advantageous marriage. Luckily, many things have changed for women since Austen’s time, but clearly others have not, including a sentiment that wealth and marriage are keys to happiness.
Last week as I watched Pride and Prejudice, I moaned to my boyfriend, I want to be Elizabeth Bennet! He looked at me askance and said, really? Her life is so boring. And it’s true. The appeal, and danger, of Austen’s novels is that they paint a world where a woman’s goals are to end up happily secure in love and finances. And this formula is compelling, and should be looked at critically.
I certainly don’t want to be shut up in the house waiting for the next ball, or stuck submitting my profile to the likes of Patty Stanger. But I do want happiness. A balance must be achieved. I’m not quite willing to give up Jane Austen, but I do want to point out our continued social pressure (going strong over 200 years after Austen’s death) to “marry well.”
So here’s to Valentines Day, romance novels, and genuine relationships. We don’t need a millionaire matchmaker, or wealthy uncle to introduce us to Mr. or Ms. right. Let's be our intelligent selves. I think Austen would approve.
Subscribe to:
Posts (Atom)